February 28th, 2012

Multiple exposure, Amsterdam | Shot with a Blackbird Fly and Kodak Ektar 100 (pushed to 200)

{See more film photos of Amsterdam here: http://istillshootfilm.org/tagged/Amsterdam}

February 21st, 2012

Amsterdam night | Shot with a Blackbird Fly and Kodak Ektar 100 (pushed to 200)

February 20th, 2012

Amsterdam Double Exposure | Shot with a Blackbird, Fly and Kodak Ektar 100 (pushed to 200)

June 11th, 2011

Blake | Shot with a Kiev 88 (intentional light leaks) and Kodak Portra 160 pushed to 3200

June 1st, 2011

Blake Myers @ Next Model Management | Shot with a Kiev 88 and Kodak Portra 160 pushed to 3200

For this image I took 2 film photos and scanned them on top of each other, not unlike doing a double-exposure on paper in the darkroom.

May 31st, 2011

I decided to try pushing some Kodak Portra 160 to 3200 and intentionally creating light leaks on my Kiev 88 during my last fashion test. Although I am pleased with the results, I do not recommend trying this for something important. I was also shooting digital for the sake of the modeling agent, which means if this didn’t work it wasn’t the end of the world.

February 25th, 2011

View of the Rue Cloche Perce, Paris | Shot with my grandfather’s Mamiya Sekor 1000DTL and Revolog 600nm film, pushed to ISO 400

July 20th, 2010
Hello there, I enjoy your blog. Just wanted ask a question. I was thinking about shooting some provia 400x and pushing it to 3200 and on top that xprocess it. Just wondering if your have tried that as well.

I think you may find that pushing an ISO so low in color film to something so high may not give the most desirable results. Obviously, it depends on what you’re doing it for, but remember that pushing film increases contrast and grain; with color film the grain will be in color. You may have so much contrast and grain that your photos might resemble a Jackson Pollock… but maybe that’s the effect you’re looking for. Personally, I wouldn’t push 400 past 800 but that’s just me.

March 17th, 2010

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