August 28th, 2010

My Pumpkin Face | Shot with a Smena Symbol | Cross Processed Fuji Astia

August 17th, 2010

Sunday Market, Rive Gauche | Shot wth a Smena Symbol | Cross Processed Fuji Astia

August 8th, 2010

Paris | Shot with a Smena Symbol | Cross Processed Processed Fuji Astia

August 8th, 2010

Notre Dame, Paris | Shot with a Smena Symbol | Cross Processed Processed Fuji Astia

August 7th, 2010

Notre Dame, Paris | Shot with a Smena Symbol | Cross Processed Processed Fuji Astia

August 6th, 2010

Chatelet Les Halles | Shot with a Smena Symbol | Cross Processed Processed Fuji Astia

August 5th, 2010

Le Dome, Paris | Shot with a Smena Symbol | Cross Processed Fuji Astia

July 30th, 2010

Au Pont Rouge | Shot with a Smena Symbol | Cross Processed Fuji Astia

July 25th, 2010

More sunbathing on les quais de la Seine | Shot with a Smena Symbol | Cross Processed Fuji Astia

I feel like laying out on the quais is the quintessential summer Paris “thing” to do; at night people spread out blankets with bottles of wine and food like a giant outdoor party. You can stand on one island and here the crowds of people laughing and talking across the river.

July 23rd, 2010

Man at the Market, Rive Gauche, Paris | shot with a Smena Symbol | Cross Processed Fuji Astia 100

July 18th, 2010

View of Notre Dame from Rive Gauche (the Left Bank) | Cross Processed Fuji Astia | Shot with a Smena Symbol

July 16th, 2010

Cross Processing: Fujichrome Astia 100

I get a lot of questions about cross processing, and personally I have seen extremely different effects from cross processed Fuji Astia, so I wanted to try it out and share my results. These were shot with a Smena Symbol, I Sunny 16-ed since it doesn’t have a light meter.

At first glance my negatives were green. Super green. Which means the photos are RED. Like UBER red. Here’s a naked scan, with no change to the scanner settings:

[This is Notre Dame]

This is really, really too red and purple for my taste…so here’s what it looks like with color correction (no fancy photoshop, just color correction):

Personally, I prefer the second one, but compared to the density of my negatives this looked really dark. So I tried scanning with medium fading correction:

This looks a little bit more like the exposure of my negative. But still, I can’t deal with the red/purple. So here’s this one with color correction:

Ahhh much better. I like this with the color correction, however I think I will probably stick to cross processing Provia…


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